These two songs, although sharing an finally common theme, differ greatly in their content and style. Although the typic indications of Betjemans work (simple rhyming and matching stanzas) argon evident in both(prenominal), it is obvious to the reader that his intentions for each(prenominal) poem and how they argon interpreted do not correlate. The center of both poems is death and what it means to the pillowcase. With Sun and Fun we be presented with one poetical verbalise in the first soul narrative - a night-club proprietress. The poem is full of mourning and disdain, with our subject calculateing book binding at her life and the realization that a materialistic, superficial mankind has not benefited her in the slightest. In fact, hither she is, alone in a dirty, squalid nightclub without help, check or anything to look forward-moving to. These feelings of hopelessness and morbidity are echoed in Devonshire pass W.1 barely the character described in this poem, and the range of emotions he experiences, are much more incisive for he has well(p) been informed by his doctor that his death is imminent, to be interpreted by a terminal disease. Unlike Sun and Fun, the scope here is cold, traditional and sterile, mayhap a reflection of a numb and dazed mind.
With Sun and Fun, the fibber reflects on her past with youthful suitors, modernistic clothes, holidays and passion. We are given(p) the moving-picture show that, although important at the time, these memories are useless to her and that everything close to her was temporary; fleeting moments of amusement that could not last forever. With zip fastener to support or go her, no companion or solidity within her life, what else is in that location to blistering for? Betjeman gives the reader the impression here that this woman lives finished her regret on a daily basis, clutching... If you want to attempt a full essay, club it on our website:
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