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Saturday, April 20, 2019

Love indicates peace in anti-war films Essay Example | Topics and Well Written Essays - 1250 words

Love indicates peaceableness in anti- state of war films - Essay Exampletuation during the American war that had tore the country down the middle into the confederates and the merger patriots, the the grand illusion (1937) depicts the situation of the First World War, where the French and the German are enemies in the war (Nugent, 1938). Nevertheless, while there is antagonism in the cardinal films, love remains the only bond that reunites the diametric factions into one core interest groups, through overcoming the ethnic and the territorial boundary restrictions, to make such factions unite. The dickens films are characterized by war in the bulk of their scenes, and only in few scenes do we subscribe the theme of love demonstrated. However, despite the scanty of love theme in these films, love eventually manages to drown the dominant theme of war by the end of the films, and consequently the different warring factions in the two films end up as one society that is united by f riendship and love. Therefore, love is a tool that has been applied to indicate peace in the two anti-war films.The film the grand illusion (1937) is characterized by the notable cordial relationship that is established between two French aviators namely de Boeldieu who is an aristocratic original and Lieutenant Marchal, who is a member of the working-class (Nugent, 1938). The two aviators set on a transit to discover a certain photo spot from an earlier air reconnaissance mission, and in the fulfil they are shot down by a German aviator, who is also an aristocrat (Roger, 1999). While the French and the Germans are warring parties and enemies, the fact that both von Rauffenstein and the Frenchman Captain de Boeldieu are aristocrats, melts down their enmity and differences, and they establish a strong friendship that sustains their relationship amidst numerous nationality and ethnic challenges. Therefore, the two characters eventually develop a participation that makes them sidel ine their own countrymen, for the sake of their friendship that is built on the basis of

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